Repositório Colecção: Comunicações
https://hdl.handle.net/1822/830
Comunicações2024-03-28T11:51:00ZO quotidiano em Barcelos através do Tombo da sua gafaria, de finais do século XV
https://hdl.handle.net/1822/80194
Título: O quotidiano em Barcelos através do Tombo da sua gafaria, de finais do século XV
Autor: Sá, Isabel dos Guimarães
Resumo: Trata-se de um tombo da gafaria e hospital de Barcelos que na verdade é composto por uma série de documentos, da gafaria e não só, que os organizadores do arquivo (não os atuais mas o de há muito tempo atrás) entenderam por bem juntar. Antes de mais, cabe explicar que tombo consistia no registo das propriedades e rendas de determinada instituição, neste caso a gafaria da vila. As gafarias eram as instalações onde viviam os leprosos, segregadas do resto da população devido ao perigo de contágio. A lepra assolou boa parte da Idade Média, mas na segunda metade do século XV, período a partir do qual versa esta comunicação, estava já em recessão, o que colocava o problema do aproveitamento dos edifícios e bens das gafarias a favor de outras necessidades.
<b>Tipo</b>: panelPresentation2022-10-17T16:26:57ZRe-appropriating abjection. Ana Caspão’s Fundo do nada (2017) as a feminist and macabre coming of age
https://hdl.handle.net/1822/75214
Título: Re-appropriating abjection. Ana Caspão’s Fundo do nada (2017) as a feminist and macabre coming of age
Autor: Mandolini, Nicoletta
<b>Tipo</b>: panelPresentation2022-01-05T10:40:23ZUno sguardo disonesto. L’appropriazione neofascista del discorso sulla violenza di genere
https://hdl.handle.net/1822/75152
Título: Uno sguardo disonesto. L’appropriazione neofascista del discorso sulla violenza di genere
Autor: Mandolini, Nicoletta; Tenca Montini, Federico
<b>Tipo</b>: panelPresentation2022-01-04T11:47:40ZThe art of smearing. How is feminist decolonizing artivism received by Italian newspapers? The case of Indro Montanelli’s Statue
https://hdl.handle.net/1822/75141
Título: The art of smearing. How is feminist decolonizing artivism received by Italian newspapers? The case of Indro Montanelli’s Statue
Autor: Mandolini, Nicoletta
Resumo: On the 8th of March 2019, during a demonstration organised in occasion of the International Women’s Day in Milan, a few members of the feminist collective Non Una Di Meno Milano threw washable pink paint on the statue that commemorates the Italian journalist Indro Montanelli (1909-2001). The aim of exposing at a visual level the acclaimed writer’s controversial past was crucial to the group’s symbolic action. In fact, despite being a reference figure for many Italian intellectuals, Montanelli participated in the Abyssinian war in 1935 and, as member of the Fascist army, he engaged in a relationship with a 12 years old local girl who acted as his wife and sexual object. The journalist, who later produced critical statements on Fascism and his own commitment to the colonial enterprise, never publicly regretted his participation in the practice of submitting Ethiopian and Eritrean girls to concubinage, commonly referred to as “madamato” (Trento 2011).
The collective’s action, which can be labelled as a feminist decolonizing practice, has already been read as a form of artivism that manipulated Italian’s artistic heritage with the objective of sparking “the debate in the general public around the canonized narrative of Italy’s colonial past” (Lissi 2020). In this sense, an analysis of the resonance that journalistic coverage assigned to the event proves crucial for understanding the impact that such an action have had on Italian public opinion and on the progress towards the Country’s mental decolonization.
This paper presents the findings of a qualitative analysis conducted on a corpus of articles published in the aftermath of the artivist performance on Montanelli’s statue on 15 Italian online newspapers. The study, which is carried out with the support of the qualitative data analysis software NVivo, avails of the methodology of Foucauldian critical discourse analysis in order to identify the rhetorical strategies employed by journalists to criticise or to legitimate the feminist collective’s action. Among these rhetorical strategies, particular attention is paid to those discursive techniques adopted to portray the act as a form of vandalism or, on the contrary, as a form of art. The aim is to show how the discourse on art VS non-art/vandalism is used to confirm (or overcome) the “discursive limits” (Jäger and Maier 2009: 47) imposed by the still dominant narratives on the Nation’s colonial history as well as on the disposability of “othered” women’s bodies.
<b>Tipo</b>: panelPresentation2022-01-04T09:45:10ZWonder feminisms. Comics-based artivism against gender violence in Italy
https://hdl.handle.net/1822/75140
Título: Wonder feminisms. Comics-based artivism against gender violence in Italy
Autor: Mandolini, Nicoletta
<b>Tipo</b>: panelPresentation2022-01-04T09:41:28Z