Victorian fiction on the global screen. The case of Michael Winterbottom’s Thomas Hardy

Please use this identifier to cite or link to this item: https://hdl.handle.net/1822/74172

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DC Field	Value	Language
dc.contributor.author	Pereira, Margarida Esteves	por
dc.date.accessioned	2021-09-29T09:41:54Z	-
dc.date.available	2021-09-29T09:41:54Z	-
dc.date.issued	2021	-
dc.identifier.citation	Pereira, M. E. (2021). “Victorian Fiction on the Global Screen. The Case of Michael Winterbottom’s Thomas Hardy”. In Wells-Lassagne, S. and Voigts, E. (eds). Filming the Past, Screening the Present. Neo-Victorian Adaptations. Studies in Anglophone Literatures. Trier: WVT, pp. 95-105.	por
dc.identifier.isbn	978-3-86821-907-4	por
dc.identifier.uri	https://hdl.handle.net/1822/74172	-
dc.description	Studies in Anglophone Literature Vol. 44	por
dc.description.abstract	This essay focuses on two films by British director Michael Winterbottom, The Claim (2000) and Trishna (2011), which, notwithstanding the titles, are both based on Thomas Hardy’s novels: the first, is based on Hardy’s The Mayor of Casterbridge (1886) and the second on Tess of the d’Urbervilles (1891). The main interest of focusing on these two films is related to the fact that they adapt Thomas Hardy’s stories into completely different locations and historical times. I will be arguing that these adaptations are fruitful examples of what we can call transcultural and transhistorical adaptations in the context of contemporary transnational/ global cinema.	por
dc.language.iso	eng	por
dc.publisher	Wissenschaftlicher Verlag Trier	por
dc.rights	openAccess	por
dc.title	Victorian fiction on the global screen. The case of Michael Winterbottom’s Thomas Hardy	por
dc.type	bookPart	por
oaire.citationStartPage	95	por
oaire.citationEndPage	105	por
dc.subject.fos	Humanidades::Línguas e Literaturas	por
sdum.bookTitle	Filming the Past, Screening the Present: Neo-Victorian Adaptations	por
oaire.citationEdition	44	por
oaire.version	VoR	por
Appears in Collections:	CEHUM - Livros e Capítulos de Livros

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