Utilize este identificador para referenciar este registo: https://hdl.handle.net/1822/54047

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dc.contributor.authorCapela, José Manuel do Couto Ramospor
dc.date.accessioned2018-04-06T14:08:27Z-
dc.date.available2018-04-06T14:08:27Z-
dc.date.issued2016-
dc.identifier.isbn978-84-16551-42-2-
dc.identifier.urihttps://hdl.handle.net/1822/54047-
dc.description.abstract[Extract] the end of art - I had my first contact with Hegel through a text by an art theorist whom I am very fond of: John Roberts. The article is titled “Conceptual Art and Imageless Truth”1 and begins precisely with an approach to Hegel’s concept of “the end of art”. The text is about conceptual art. It is structured by relating the work of different conceptual artists with a common denominator that Roberts identifies with Hegel’s notion of “imageless truth”...por
dc.language.isoengpor
dc.publisherUniversidad de Murcia. Servicio de Publicacionespor
dc.rightsopenAccesspor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/por
dc.titleArchitecture after Duchamppor
dc.typeconferencePaperpor
dc.peerreviewedyespor
oaire.citationStartPage251por
oaire.citationEndPage268por
oaire.citationConferencePlaceUniversidad de Murciapor
dc.subject.fosHumanidades::Artespor
dc.description.publicationversioninfo:eu-repo/semantics/publishedVersionpor
sdum.conferencePublicationArte y filosofía en Arthur Dantopor
Aparece nas coleções:Lab2PT - Atas de Congresso/ Papers in conference proceedings
Lab2PT - Atas de Congresso/ Papers in conference proceedings

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