Utilize este identificador para referenciar este registo: https://hdl.handle.net/1822/78246

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dc.contributor.authorSousa, Carlos Mendes depor
dc.date.accessioned2022-06-06T10:14:37Z-
dc.date.available2022-06-06T10:14:37Z-
dc.date.issued2002-
dc.identifier.citation“Mother, Body, Writing: the Origins and Identity of Literature in Clarice Lispector” in Closer to the Wild Heart: Essays on Clarice Lispector (Edited by Claudia Pazos Alonso and Claire Williams), Oxford, Legenda; European Humanities Research Centre of the University of Oxford, 2002, pp. 9-27.por
dc.identifier.urihttps://hdl.handle.net/1822/78246-
dc.description.abstractI start with an example: an accident that affects the body. By a metonymic effect (the bumpy hand) we are led to the metaphor of writing-body in its infinite regenerating capacity. We speak about the painful work that has always persisted slowly over Lispector's literary body, where invisible scars generate words. In this way, we meet the maternal figure and the implications of a phantasmatic episode around which the question of the origin and identity of literature in Clarice Lispector is centered.por
dc.language.isoengpor
dc.publisherUniversity of Oxford. European Humanities Research Centrepor
dc.rightsopenAccesspor
dc.subjectMotherpor
dc.subjectBodypor
dc.subjectWritingpor
dc.subjectClarice Lispectorpor
dc.titleMother, body, writing: the origins and identity of literature in Clarice Lispectorpor
dc.typebookPartpor
oaire.citationStartPage9por
oaire.citationEndPage27por
dc.subject.fosHumanidades::Línguas e Literaturaspor
sdum.bookTitleCloser to the wild heart: essays on Clarice Lispectorpor
Aparece nas coleções:CEHUM - Livros e Capítulos de Livros

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