Utilize este identificador para referenciar este registo:
https://hdl.handle.net/1822/91344
Título: | From the senses to reason, and back again: Adorno and Freud on interpretation |
Autor(es): | Martingo, Ângelo Miguel Quaresma Gomes Paiva, Carla A. |
Data: | 2022 |
Citação: | Martingo, A. & Paiva, C. A. (2022). From the senses to reason, and back again: Adorno and Freud on interpretation. In Anna Nowak (Ed.), Transgresje w muzyce/Transgression in music (pp. 355–363). Polónia, Bydgoszcz: Akademia Muzyczna im. Feliksa Nowowiejskiego w Bydgoszczy/The Feliks Nowowiejski Academy of Music in Bydgoszcz. |
Resumo(s): | Between 1935 and 1959, Adorno wrote a series of essays and observations on music performance which werepublished in 2001 in Germanand later translated into Englishin 2006 by Polity Press under the title Towards a theory of musical reproduction: Notes, a draft and two schemata. This collection of fragmentary writings considerably widened the scope of previously published materialsto form a critical theory of performance that garnered significant scholarly attention . Similarly, to his aesthetics and social theory, in relation to which Vieira de Carvalho argues music theory is seminal, Adorno critically elaborates on music performance as a play of dialectical elements . Drawing on prior reflections , we intend to explore the relationship between two of these elements – the mimetic and the rational domains – stressing at the same time the structural similarity between this perspective and Freud’s description of psychoanalytic interpretation, in which direction Adorno apparently seems to point. |
Tipo: | Artigo em ata de conferência |
URI: | https://hdl.handle.net/1822/91344 |
Arbitragem científica: | yes |
Acesso: | Acesso aberto |
Aparece nas coleções: | CEHUM - Outros |
Ficheiros deste registo:
Ficheiro | Descrição | Tamanho | Formato | |
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From the senses to reason_Martingo_Paiva.pdf | 121,99 kB | Adobe PDF | Ver/Abrir |