Utilize este identificador para referenciar este registo: https://hdl.handle.net/1822/48572

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dc.contributor.authorMacDonald, Lindsay W.por
dc.contributor.authorVitorino, Tatianapor
dc.contributor.authorPicollo, Marcellopor
dc.contributor.authorPillay, Ruvenpor
dc.contributor.authorObarzanowski, Michałpor
dc.contributor.authorSobczyk, Joannapor
dc.contributor.authorNascimento, Sérgio M. C.por
dc.contributor.authorLinhares, João M. M.por
dc.date.accessioned2017-12-26T20:22:39Z-
dc.date.available2017-12-26T20:22:39Z-
dc.date.issued2017-
dc.identifier.citationMacDonald et al. Herit Sci (2017) 5:41por
dc.identifier.issn2050-7445por
dc.identifier.urihttps://hdl.handle.net/1822/48572-
dc.description.abstractIn a study of multispectral and hyperspectral reflectance imaging, a Round Robin Test assessed the performance of different systems for the spectral digitisation of artworks. A Russian icon, mass-produced in Moscow in 1899, was digitised by ten institutions around Europe. The image quality was assessed by observers, and the reflectance spectra at selected points were reconstructed to characterise the icon’s colourants and to obtain a quantitative estimate of accuracy. The differing spatial resolutions of the systems affected their ability to resolve fine details in the printed pattern. There was a surprisingly wide variation in the quality of imagery, caused by unwanted reflections from both glossy painted and metallic gold areas of the icon’s surface. Specular reflection also degraded the accuracy of the reconstructed reflectance spectrum in some places, indicating the importance of control over the illumination geometry. Some devices that gave excellent results for matte colour charts proved to have poor performance for this demanding test object. There is a need for adoption of standards for digitising cultural heritage objects to achieve greater consistency of system performance and image quality.por
dc.description.sponsorshipThis article arose out of a Short-Term Scientific Mission (STSM) conducted by Tatiana Vitorino when visiting University College London during a 2-week period in late October 2015. The research was carried out under the auspices of the European COST Action TD1201 Colour and Space in Cultural Heritage (COSCH). The project website is at http://www.cosch.info. Under the COST rules, TV received funding for travel and accommodation expenses, and all coauthors were able to claim travel expenses to attend the subsequent COSCH project meeting. No other funding was received from COSCH for labour or equipment and all work was done on a voluntary pro bono basis.por
dc.language.isoengpor
dc.publisherSpringer Openpor
dc.rightsopenAccesspor
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/por
dc.subjectMultispectralpor
dc.subjectHyperspectralpor
dc.subjectImagingpor
dc.subjectDigitisationpor
dc.subjectReflectancepor
dc.subjectSpectrumpor
dc.subjectSpecularitypor
dc.subjectCultural heritagepor
dc.subjectIconpor
dc.subjectStandardspor
dc.titleAssessment of multispectral and hyperspectral imaging systems for digitisation of a Russian iconpor
dc.typearticlepor
dc.peerreviewedyespor
oaire.citationIssue1por
oaire.citationVolume5:4por
dc.identifier.doi10.1186/s40494-017-0154-1por
dc.subject.fosCiências Naturais::Ciências Físicaspor
dc.description.publicationversioninfo:eu-repo/semantics/publishedVersionpor
dc.subject.wosArts & Humanitiespor
dc.subject.wosScience & Technologypor
sdum.journalHeritage Sciencepor
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