Utilize este identificador para referenciar este registo:
https://hdl.handle.net/1822/71454
Registo completo
Campo DC | Valor | Idioma |
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dc.contributor.author | Rosmaninho, João | por |
dc.contributor.author | Brito, Eduardo | por |
dc.date.accessioned | 2021-04-08T19:39:29Z | - |
dc.date.available | 2021-04-08T19:39:29Z | - |
dc.date.issued | 2019-01-16 | - |
dc.identifier.uri | https://hdl.handle.net/1822/71454 | - |
dc.description.abstract | Michelangelo Antonioni’s films are the epitome of darkness: not the phenomenal, but one other that, although it also cannot be seen, lies upon the interiority of the characters and the abstraction of the spaces: obscured and tormented individuals mostly operating in double layered environments. In Antonioni’s films, darkness is a state of mind, an existential condition, expressed not only through action and characters (The Passenger), but also through titles (The Night, The Eclipse). This presentation will establish a connection between the inner shadow of Antonioni’s characters and their metaphors through architectures and locations (The Adventure, Red Desert, Blow Up, Zabriskie Point), demonstrating a concomitant bright vision and dark version. Blankness is a way of not seeing, such as of darkness or blindness themselves. To conclude, the presentation will start addressing a scene at the end of “The Passenger” in which the protagonist David Locke says to the girl: “I know a man who was blind [but] when he was nearly 40 years old, he had an operation and regained his sight. (…) After he regained his sight… he became afraid. He began to live in darkness.” | por |
dc.language.iso | eng | por |
dc.rights | openAccess | por |
dc.title | Shadow and false brightness on Michelangelo Antonioni’s cinema | por |
dc.type | oralPresentation | por |
dc.peerreviewed | yes | por |
oaire.citationConferenceDate | 13 Jan. - 17 Jan. 2019 | por |
sdum.event.title | Island Dynamics conference - DARKNESS 2019 | por |
sdum.event.type | conference | por |
oaire.citationConferencePlace | Funken Lodge, Longyearbyen | por |
dc.subject.fos | Humanidades::Artes | por |
oaire.version | SMUR | por |
Aparece nas coleções: | EAAD - Comunicações |
Ficheiros deste registo:
Ficheiro | Descrição | Tamanho | Formato | |
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Abstract_DARKNESS.pdf | Communication | 117,15 kB | Adobe PDF | Ver/Abrir |