Creole europe and committed art: changing nationalist perspectives

Abstract

This article discusses Stuart Hall and Homi Bhabha’s theories on multiculturalism and diaspora as alternative epistemological references to confront racist revivals across Europe. Edward Said’ s defence of inclusive academic curricula is equally revisited as a parallel strategy to deconstruct Eurocentric ideas. These three thinkers also represent nationalism as an obsolete paradigm, inadequate to perceive a globalized world. The point of this article is to revisit established postcolonial thinkers and see how their discourses have been reinterpreted by committed artists/writers whose works seem to share with the invoked thinkers the aim of challenging their audiences to think differently about race, cultural difference, invisibility of oppression and right of ‘belonging’. The invoked theoretical discourse is used as a platform to discuss four artistic interventions – a poem by Eunice de Souza, Raimi Gabdamosi’s performance in Cadiz, the collective installation Return to Hansala at MUSAC museum and a sculpture by Portuguese visual artist Ana Vieira. Two of the selected works address gender issues in articulation with domesticity and patriarchal genealogies while the other two pieces address race and marginalization without any particular gender inflection. The choice is deliberate. Feminist discussions cannot be isolated from other discourses that expose related forms of oppression and marginalization even if they are not primarily formed by feminist awareness.