Utilize este identificador para referenciar este registo: https://hdl.handle.net/1822/90236

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dc.contributor.authorSommermeyer, Liliane Gonzagapor
dc.contributor.authorSantos, Maria Cecília Loschiavo dospor
dc.contributor.authorCunha, Joanapor
dc.date.accessioned2024-03-28T10:56:58Z-
dc.date.issued2024-
dc.identifier.citationSommermeyer, L.G., dos Santos, M.C.L., Cunha, J. (2024). Emotional Design in Fashion: Memories and Experience in a Redesign Project. In: Cunha, J., Broega, A.C., Carvalho, H., Providência, B. (eds) Advances in Fashion and Design Research II. CIMODE 2023. Springer, Cham. https://doi.org/10.1007/978-3-031-43937-7_45por
dc.identifier.isbn978-3-031-43936-0por
dc.identifier.urihttps://hdl.handle.net/1822/90236-
dc.descriptionFirst Online: 21 September 2023por
dc.description.abstractThe fashion industry annually generates tons of textile waste and is considered one of the most polluting industries in the world. This unsustainable scenario is largely due to fast fashion, which encourages consumers to get rid of their clothes, even if they have emotional ties with them. However, as people experience remarkable experiences with their pieces, this distancing becomes more complex. Thus, the objective of this study was to report and analyze how affective ties can influence a creative redesign process in a fashion workshop, understanding the emotions of participants in the process of transforming their own disused pieces, through upcycling. This investigation was carried out through an action-research in a 4-day workshop applied in a fashion studio at a university with a total of 8 participants. Through three different tools, we identified the emotions of the participants regarding their disused clothes prior, during and after its redesign process. The workshop results indicate that clothing is considered very important for most participants. Regarding the emotions experienced during the redesign process, the most mentioned emotions were: Excited, Stimulated and Insecure. Results also show that although most participants try to get rid of disused pieces, they do so by trying to stay close to them, revealing a strong emotional bond with clothes.por
dc.description.sponsorshipI would like to thank CAPES for the financial support for carrying out this research.por
dc.language.isoengpor
dc.publisherSpringerpor
dc.rightsrestrictedAccesspor
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/por
dc.subjectUpcyclingpor
dc.subjectFashion and sustainabilitypor
dc.subjectProblem solutionpor
dc.subjectContextual inquirypor
dc.titleEmotional design in fashion: memories and experience in a redesign projectpor
dc.typebookPartpor
dc.relation.publisherversionhttps://link.springer.com/chapter/10.1007/978-3-031-43937-7_45por
oaire.citationStartPage507por
oaire.citationEndPage521por
dc.identifier.doi10.1007/978-3-031-43937-7_45por
dc.date.embargo10000-01-01-
dc.identifier.eisbn978-3-031-43937-7por
dc.subject.fosHumanidades::Artespor
sdum.bookTitleAdvances in fashion and design research II: proceedings of the 6th International Fashion and Design Congress, CIMODE 2023por
oaire.citationEdition1por
oaire.versionAMpor
dc.subject.odsEducação de qualidadepor
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